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Theatre Arts For Secondary Schools

                Exercise 2.9



                1.  One of the purposes of rituals is solving problems in society. Describe the
                   application of rituals in your society to prove such a purpose.

                2.  You are invited by a neighbouring school teacher to explain characteristics
                   of ritual in his/her class. Which characteristics will you explain to them?


            General characteristics of African theatre

            African theatre performs special roles in the communities with its unique features.
            These features are the basic characteristics reflecting the richness in culture and
            history of different African ethnic groups and places. Generally, African theatre has
            the following common characteristics:

            (a) Functionality: African theatre is performed on the basis of specific activities
                and events. It is functional serving social, political, cultural, and economic
                purposes. Various forms of African theatre are performed in accordance with
                certain activities or events. In the African context, most of the recreational and
                ceremonial theatrical performances such as dances are performed after work in
                the evening, particularly during post-harvest season. Examples of post-harvest
                ceremony dances include Sangula dance of the Pogoro in Morogoro and Kioda
                of the Matengo from Ruvuma.

            (b) Spontaneity: There is no prior rehearsal in most African theatrical performances.
                African theatre forms do not involve written documents (script) because they are
                oral in nature. For example, when the elders are narrating the evening stories,
                no rehearsals are done before the narrations. Even the audience needs no prior
                preparation to listen to storytelling or participate in singing and responding.

            (c) Participatory: African theatre is participatory in nature. It involves the groups
                of performers, the audience and the theatrical works to be performed. This is
                because African theatre is not owned by an individual performer, but by the
                whole community. During the performance, the audience participates in dancing
                or singing. Therefore, in African theatre, the performance is a group activity. It
                sets no boundaries between creators, performers and audience by letting everyone
                be involved in the performance.

            (d) Multiple ways of learning: African people learn indigenous theatrical forms in
                different ways. Some people inherit from older generations by imitation from the
                performers whom they observe. In stories, the African societies learn through
                memorisation, observation, and imitation from the storytellers. Traditional dances
                are also learned from the senior dancer through apprenticeship and rigorous
                practice on certain performances.





                                                  59                  Student’s Book Form One



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